2025年09月27日 / ライフスタイル

Gen Z is Crazy About Jazz! Samara Joy Sparks a New Musical Movement - Old School × New Social

Gen Z is Crazy About Jazz! Samara Joy Sparks a New Musical Movement - Old School × New Social
Photo: Schorle, “Samara Joy McLendon and band at INNtöne Jazzfestival 2022,” CC BY-SA 4.0, via Wikimedia Commons.


Introduction: Standards Illuminated by Smartphone Light

The concert hall audience is quieter than usual. The audience holds smartphones, but the screens glow modestly, and their ears are focused on the stage. This is a scene witnessed across various locations in 2025. Young people of Generation Z are captivated by century-old repertoires, shedding tears during encores—a paradoxical reality brought to life by figures like Samara Joy. The Age/SMH wrote, "Generation Z has discovered jazz. They have a 'global sensation' to thank," highlighting the role of social media in the "re-education of the ear."Facebook



1. The Phenomenon of Samara Joy

Born in 1999, Samara Joy balances traditional singing methods with a modern narrative style, earning multiple Grammy awards just a few years after her debut. Her accolades, including the Best New Artist award in 2023, have convincingly repositioned "jazz" on the musical map of Generation Z. Her presence symbolizes not a "reperformance of classics" but "expressing current emotions through the vessel of classics."Wikipedia


In the fall of 2025, she is scheduled for her first Australia/New Zealand tour, with cultural venues in each city eagerly announcing the news. Announcements from venues like Hamer Hall (Melbourne), City Recital Hall in Sydney, and Canberra Theatre have been met with joyful reactions such as "Finally, I can hear her live" and "Going with the family." Local media are also extensively covering her "journey of greatness."The West Australian


2. The "Ear Community" Created by Social Media

For Generation Z, the primary screen for discovering music is streaming and short videos. In Australia, TikTok is used by 38% of those aged 18 and over, reigning as the "favorite platform" for Generation Z. Scats and breaths featured in short clips ride algorithms to create "accidental first encounters," which then connect to playlist creation and concert attendance.Sprout Social


Samara Joy's own Instagram and tour announcements make visible the cross-generational enthusiasm, with comments like "First time getting into jazz" and "Going with grandparents." Posts about her BBC Proms appearance were met with congratulations from young followers. Social media is beginning to serve as "jazz education outside the lecture room."Instagram


3. Another Driving Force: The Horizons Expanded by Laufey

Meanwhile, another key player who has bridged the gap between Generation Z and jazz is Laufey. By blending classical and jazz into sentimental pop, her TikTok-originated songs are being hummed like "new standards." At her 2025 arena concerts, young people adorned in bows and lace gathered, and in some cities, typically noisy venues were reportedly enveloped in "respectful silence."Houston Chronicle


As reported by TIME and AP, Laufey sings about love and self-affirmation using modern vocabulary while maintaining "old song manners," providing jazz vessels for the diary-like emotions of Generation Z. Her latest work, 'A Matter of Time' (2025), further crosses genre boundaries with its orchestral splendor and confessional lyrics.TIME


On streaming platforms, songs from 'Bewitched' have accumulated billions of plays, and TikTok-originated tracks like "Valentine" have spread widely. In essence, Laufey has used "pop circuits" to widely distribute jazz sounds, while Samara Joy has captured the hearts of Generation Z from the "mainstream of jazz." Though their vectors differ, their endpoints are close.Wikipedia


4. Not "Nostalgia" but "Current Location"—The Message Received by Young People

Carefully picking up reactions on social media reveals three changes:
(1) Update in Attire and Conduct: A "dress code play" has emerged at venues, with the enjoyment of participating in vintage-style attire spreading. This is not mere cosplay but a ritual to switch listening postures.Houston Chronicle


(2) From Clips to Full-Length: The transition from creating an "entry" with short videos to expanding into full album listening and live performance experiences has become established. The high prevalence of TikTok in Australia strengthens this pathway.Sprout Social


(3) Family Unit Listening: Posts of grandparents and grandchildren getting excited over the same song stand out. The "generational inheritance" of jazz is being revitalized by the visibility of social media (also evident in the reactions to venue announcement posts).City Recital Hall


5. Dialogue with "Purism"

Of course, there is also backlash. Voices caution against trivializing the history and political nature of jazz. However, young artists assert their right to speak in the vocabulary of the "now," while acknowledging history. Laufey emphasizes to media that she values the sincerity of the song over genre boundaries, and Samara Joy responds by demonstrating the "strength of the mainstream" at venerable venues like Blue Note. The dialogue continues, but what is important is the fact that the gateway has widened.“now”TIME


6. What Will Happen in Australia

The Australian performances from October 2025 onwards will likely produce numerous "first live jazz experiences" for Generation Z listeners. In the acoustic spaces of Hamer Hall and City Recital Hall, phrases known through smartphones will be etched into their bodies as "vibrations of the air." After the live performances,

  • short videos humming a phrase from that night,

  • #OOTD posts replicating favorite outfits,

  • tweets with impressions like "Heard a song my grandmother taught me live for the first time,"
    will surely increase. This is not speculation but merely the regional transplantation of patterns already observed in overseas performances.Houston Chronicle


7. What to Leave Behind After the "Entrance": Guidelines

To ensure it doesn't end as just a phenomenon, here are three things we can do now:
① Diversification of Entry Points: Place current songs (e.g., Laufey's 'A Matter of Time') alongside Samara Joy's latest live recordings or recordings from the 'Portrait' period at the start of playlists. Create continuity in listening experiences.AP News
② Visualization of Context: Add short explanations of the origin of each song (composer, year, original performer). This can function through TikTok subtitles or pinned comments.
③ Local Connection: During visits to Australia, compile and disseminate information about workshops at schools and communities. Prepare a "circuit" from the first live experience to the next attendance.


Conclusion: After the Applause

Generation Z has rediscovered jazz not as "music of the past" but as "sounds that touch their own moods." The catalyst was a single sensation and simultaneously countless small windows of smartphones. The light from screens raised towards the stage is not just a recording device. There, past masterpieces are being reconnected to present lives, and **the next standards** are being born.Facebook